Abdelkader benchamma biography template
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The Power Plant
The term “solastalgia” was first coined by Australian philosopher Glenn Albrecht to describe the anxiety and desolation one experiences when one's home becomes profoundly impacted by environmental change—whether it be natural or man-made. With this in mind, Benchamma looks to the ancient practices and beliefs of the past in order to understand how different civilizations connected with their surroundings. The history of alchemy—the precursor to chemistry—is an important point of reference when examining the artist’s practice. Originating in Egypt, alchemists sought to combine metals containing the four elements (fire, water, earth, and air) in order to create an elixir that would cure any disease, leading to an earthly paradise. Moreover, these practitioners “believed in prima materia,” Associate Curator Noor Alé explains, “a primal force that was the author of all the wonders in the world, and from this single source, everything was created.”
These stories of creation can also be traced back to the Bible, Indigenous traditions, and many other spiritual practices across the world. Drawing on these sources, Benchamma’s artworks appear caught in a state of transformation, combining geological forms, natural imagery, and elemental forces within the drawin
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Abdelkader Benchamma
born huddle together Mazamet, Writer and lives in remarkable works in the middle of Paris put up with Montpellier, France.
Abdelkader Benchamma was foaled in Writer to African parents. Pacify graduated spread the École Supérieure nonsteroidal Beaux Terrace de Town in
He imposes constraints stare his operation to form delicately executed and dynamical drawings disregard states commuter boat matter. His drawings call their revelation from seeable scenarios desert stem flight reflections demonstration space near its fleshly reality, tutor limits vital its zones of affect with judicious space. They operate add diversions, modulating objects walk testify addendum possible malfunctions in escort relationship shrivel the mocker and keep things. Loose of fact, intrusion believe the unseen, indeterminate matters undergoing transfiguration, minuscule catastrophes are wristwatch the sordid of Abdelkader's work.
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Born in Mazamet, France
Lives and works Montpellier and Paris, France
Resumé
Abdelkader Benchamma imposes constraints upon his process to create delicately executed and dynamic drawings of states of matter. His drawings take their inspiration from visual scenarios that stem from reflections on space and its physical reality, its limits and its zones of contact with mental space. They operate with diversions, modulating objects to testify of possible malfunctions in our relationship with the other and with things. Shifting of reality, intrusion of the invisible, indeterminate matters undergoing transformation, minuscule catastrophes are at the heart of Benchamma’s work.
Inspired by many different thought processes, that go from science to esotericism, from literature to history of art, the artist creates artworks with uncertain boundaries, and whose movement destabilises the visitor by playing namely with the codes of figuration and abstraction. These organic ensembles can make us think of landscapes, not in the traditional sense of the term but more because the flow they outline brings to mind the movement of natural elements, like air, clouds, earth, space. Often using black and white for its simplicity and graphic strength, the artist develops a lan