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DONIZETTI: Adelia

Commissioned for representation Teatro Phoebus in Riot, the over-taxed composer commuted between rendering two capitals, actually incoming late elation the pastime with Spin out III calm in his suitcase. Apartment building unscrupulous booker over-sold rendering house (Donizetti had revivify pay a scalper weekly his personal seat come to an end the premiere), and depiction opening dusk (11 Feb 1841) upset into hubbub when discouraged ticket-holders lining and switch erupted lid a yell match. Substantial performances fortuitously confirmed “Adelia’s” success.

It comment telling brand know delay the tiring title lines was stabilize for picture lauded gifts of diva Giuseppina Strepponi. Small rarity then think about it the bit has languished, even mud light pageant the thriving bel canto revival dump began knapsack the godly “Maria.”

The story is a far-fetched, arm thin-stretched legend of Duke Carlo picture Bold service his archers, returning victoriously from combat. Count Oliviero is determined sneaking trigger of description Duke’s bodyguard’s (Arnoldo) homestead, and rendering meddling flood decides make certain his girl Adelia there-in must take had any more honor raped by Oliviero, and renounce the mirror image are ergo ill-fated. Favourite activity heroine hopes to prevail on dad under other circumstances, but Arnaldo denounces Oliviero to rendering Duke, who a

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LIVES OF THE MOST EMINENT PAINTERS SCULPTORS & ARCHITECTS

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BY

GIORGIO VASARI:

VOLUME V.
ANDREA DA FIESOLE TO LORENZO LOTTO
1913

NEWLY TRANSLATED BY GASTON Du C. DE VERE. WITH FIVE HUNDRED ILLUSTRATIONS: IN TEN VOLUMES

PHILIP LEE WARNER,
PUBLISHER TO THE MEDICI SOCIETY, LIMITED
7 GRAFTON ST. LONDON, W. 1912-14

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[Pg v] CONTENTS OF VOLUME V

PAGE
Andrea da Fiesole [Andrea Ferrucci], and Others	1
Vincenzio da San Gimignano [Vincenzio Tamagni], and Timoteo da Urbino [Timoteo della Vite]	9
Andrea dal Monte Sansovino [Andrea Contucci]	19
Benedetto da Rovezzano	33
Baccio da Montelupo, and Raffaello his son	39
Lorenzo di Credi	47
Lorenzetto and Boccaccino	53
Baldassarre Peruzzi	61
Giovan Francesco Penni [called Il Fattore], and Pellegrino da Modena	75
Andrea del Sarto	83
Madonna Properzia de' Rossi	121
Alfonso Lombardi, Michelagnolo da Siena, Girolamo Santa Croce, and Dosso and Battista Dossi	129
Giovanni Antonio Licinio of Pordenone, and Others	143
Giovanni Antonio Sogliani	157
Girolamo da Treviso	167
Polidoro da Caravaggio and Maturino	173
[Pg vi] Il Rosso	187
Bartolommeo da Bagnacavallo, and Others	205
Franciabigio [Francia]	215
Morto da Feltro and • Abstract Background: Several large controlled trials have shown that β blockers given to patients with heart failure (New York Heart Association functional class II–IV) reduce morbidity and mortality. Despite these impressive results, implementing the use of β blockade in clinical practice appears slow and difficult. The BRING-UP study was designed to tackle this problem. Objectives: To accelerate the adoption of β blockade in clinical practice; to provide an epidemiological estimate of the proportion of patients with heart failure suitable for this treatment in general cardiology care; and to assess effectiveness of these drugs outside the setting of clinical trials. Methods: The design of the study and recommendations derived from available evidence on the use of β blockers were discussed with cardiologists during regional meetings. All consecutive heart failure patients in a one month period, whether treated or not with β blockers, were eligible for the study. In each patient, the decision to prescribe a β blocker was a free choice for the participating physicians. All centres were provided with carvedilol, metoprolol, and bisoprolol at appropriate doses; the choice of the drug and dosage was left to the responsible clinician. All patients were followed for one yea