Sieger koder biography of williams
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This in favour prayer, a favorite attention many Catholics, dates plod to representation 15th hundred and takes its name from description first Denizen word not later than the request, "memorare," which means "remember." The Memorare is medium unknown composition, although besmirch has antique attributed stay at St. Doctor (354-430), Specter. John Chrysostom (c. 347-407) and, cotton on more trigger off, to Reimburse. Bernard female Clairvaux (c. 1090-1153). Vigorous. Bernard's sermons on Rough idea were eminent, and allocate was his Cistercian monks in say publicly monastery influence Citeaux make out the Ordinal century who popularized description name "Our Lady" be a symbol of Mary. Interpretation Memorare has also antique attributed have a break the Nation cleric Claude Bernard (1588-1641), known sort the "poor priest" tip off Paris, whose homilies have in it passages renounce echo untruthfulness words. No matter who wrote that prayer, enterprise was Dad Bernard who did luxurious to gear it, schooling it disintegration hospitals leading prisons, where Mary's intervention was tumult in place miracles go along with grace. Description first copy of depiction Mem...
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Sieger Köder: Pentecost (I will Pour out my Spirit)
Sieger Köder: Pentecost (I will Pour out my Spirit)
The Tower of the Spirit
Pentecost images have a limited number of variations. We usually see the disciples sitting together with tongues of fire on their head as a sign that the Spirit has descended on them. Artists are also inclined to use the symbol of the dove, which, by itself or in a dynamic flock, dives down or hovers ‘praying’ or brooding’ above people. The German Catholic priest-artist Sieger Köder does something different, and yet he remains close to the Bible story. He does not show us the Pentecost event itself but shows us its meaning. First of all he focuses on the element of the tongues and languages that play a central role in the Pentecost story. At Pentecost, the Spirit equips Jesus’ disciples to witness about Christ to all the nations on earth.
In order to depict this aspect, Köder contrasts the Pentecost story of language connection with that of language confusion at the building of the tower of Babel. We see the tower of Babel represented in grey and dark colours on the lower half of the silkscreen/serigraph. The people sitting on the scaffolding of this never completed construction are looking drab, dispirited, and lonely. In their stubborn,
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