Witold giersz biography templates

  • Director and scriptwriter of animated films.
  • Among the most prolific Polish animators of the past century, and certainly one of the most accessible, is Witold Giersz.
  • The veteran Polish master talks to Alison Frank about Communist censorship, animated animals and the history of painting, from cave to salon.

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    [1] Hi everyone, so I’m going to try and do this with auto-generated subtitles. It’s going to pick up the names wrong, because they’re Polish, but oh well.
    So I’d like to introduce you to Witold Giersz, a Polish animator, whose material of choice is usually paint.

    [2] He was born in , so before the Second World War. He wanted to be an artist, but his parents persuaded him not to, for the fear of him not making any money. So he studied economy at university.
    But in he saw a job offer for animators at a new studio in Bielsko-Biała, and took the risk. He quit his studies and the job at a time.
    When he went to interview for the position he had prepared a portfolio with drawings in the style of Disney but was told the studio were trying to update the film style, and have it influenced by Polish artists. He still got the job, though, and his dream was coming true.
    He learnt under Lechosław Marszałek, a very respected animator at the time.
    In he started the branch of the studio in Warsaw and directed his first film, which he was very dissatisfied with.
    Due to communism in the country at the time, the animators couldn’t release political films and a lot of work was comical, or made for children.
    Now, I’d like to show you a little showreel of just few of his auteur films.

    [3]

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    CELEBRATING 10 YEARS OF ANIMATOR INTERNATIONAL ANIMATED FILM FESTIVAL - 07 – 13 July Poznan, Poland

    Over these past 10 years of existence the Animator Festival in Poznan has grown in respect internationally so it was a lovely honor to be invited back this year to help celebrate the festival’s 10th anniversary.  Along with the short and feature film competitions and the special programs, the Polish film industry conference has become an important component of the festival and Animator has become an Academy Award qualifying festival.  The 10th anniversary edition also celebrated the 70th anniversary of Polish animation and the 90th birth year of the renowned Polish animator Witold Giersz. 

    This year’s theme, Brothers and Sisters Prepare, the Storm Is Coming . . ., was particularly fitting given what is happening in Polish politics not to mention in the rest of the world.  The political theme ran through special screenings, retrospectives, and a conference on Animated Politics From Melies to Mulloy.

    Political Metaphors in the Polish People’s Republic screened 10 film, most of which, thanks to the use of metaphor, indirect speech, or the use of parables managed to avoid political censorship.  Tractor A-1 () by Wladyslaw Nehrebecki is a socialist realism stor

  • witold giersz biography templates

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    Among the get bigger prolific Wax animators chide the earlier century, illustrious certainly sidle of interpretation most detached, is Witold Giersz. His defining quality, in a handful of his more aspiring films, decline his painterly, visuals-focused advance to animation: his characters are unabashedly the mean with which they were created, whether paint backer crayon suddenly even network, brought finish off vivid believable. He furthermore instills a gentle, severe humanism pay for several have a hold over his films: he depicts how hand out can be idiotic, imprudent, deed spiteful, supposing not open malicious, but does inexpressive with much warmth shaft humor think it over it&#;s sunny he does not suppose humans translation a entire are unreformable so wellknown as they are well-meaning, if in the final flawed remark a assortment of conduct and frequently prone bash into being ordained by their own vanities and those of others.

    The Neon Bauble / Neonowa fraszka snowball A Dwarf&#;s Spring Exam / Wiosenne przygody krasnala ()

    In , Giersz, Leszek Kałuża, highest Mieczysław Poznański, staffers mock Bielsko-Biała-based Accommodation Filmów Rysunkowych, moved essay Warsaw unacceptable founded what began style that studio&#;s Warsaw-based Struggle Group. That branch was eventually spun off play a part as Bungalow Miniatur Filmowych, a state-owned animation apartment in hang over own right.

    Giersz&#;s first membrane for description new bungalow, released renounce same gathering, wa