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Queer(ing) Russian Art: Realism, Revolution, Performance 9798887192529
Table of contents : • Women role-related cinema Women's cinema primarily describes cinematic works directed (and optionally produced too) by women filmmakers. The works themselves do not have to be stories specifically about women, and the target audience can be varied. It is also a variety of topics bundled together to create the work of women in film. This can include women filling behind-the-scenes roles such as director, cinematographer, writer, and producer while also addressing the stories of women and character development through screenplays (on the other hand, films made by men about women are instead called Woman's film). Renowned female directors include Alice Guy-Blaché, film pioneer and one of the first film directors, Agnès Varda, the first French New Wave director, Margot Benacerraf1959, the first woman to win the Cannes International Critics Prize and be nominated for the Palme D'Or,Yulia Solntseva, the first woman to win the Best Director Award at Cannes Film Festival (1961), Lina Wertmüller, the first woman nominated for the Academy Award for Best Director (1977), Barbra Streisand, the first woman to win the Golden Globe Award for Best Director (1983), Jane Campion, the first woman to win the Palme D'Or at Cannes Film Festival (1993), and Kathryn Bigelow
Contents
Acknowledgments
Note on Transliteration
Introduction
Part One. Theoretical Framings
1. Between Semiotics and Phenomenology: The Problem of Queer Beauty
Part Two. Queer Beauty in Context
2. “In Appearance, Both a Lad and Lass”: Images of Androgyny in Eighteenth-Century Russian Art
3. The Queer Opacity of Alexander Ivanov’s Nudes: Between Biblical Themes and Greek Love
4. Prostitutes, Pierrots, and Priapus: The Queer Modernism of Konstantin Somov
5. Modernism as the Uncanny of Stalinism: On Alexander Deineka’s Wartime Drawings
6. Carnivalesque Carnality: The Queer Potential of Sergei Eisenstein’s Homoerotic Drawings
7. Moscow Conceptualism’s Erotic Objects
8. Queering Socialist Realism: The Case of Georgy Guryanov
9. A Russian Schizorevolution?Observations on the New Academy of Fine Arts and Queer Issues in the Late 1980s and Early 1990s
10. The Lure of Implied Transgression as Revolutionary Retrospective: The Illicit as la Belleza in Bella Matveeva’s Art
11. Sexual and Gender Dissent in a Bipolar World: Georgy Guryanov and Vladislav Mamyshev-Monroe
12. “My Nationaliti Is My Sexuality”: The Post-Soviet, Migrant, Non-Russian Queerness of Babi Badalov
Part Three. Beyond Queer B Women's cinema