Ritwik ghatak biography of albert einstein
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Mrinal Sen was directing parapsychologist Bimal Chatterjee in Kharij in the early 80s. Bimal Chatterjee already left a mark as an actor in cameo characters in Satyajit Ray’s, Jana Aranya, Sonar Kella and Joy Baba Felunath.
To extract the character of a large-hearted, sympathetic neighbour of protagonists Anjan Dutta and Mamata Shankar, Mrinal Sen insisted Bimal Chatterjee to lower his baritone. The actor obeyed but maintained a natural vocal pitch which pleasantly astonished Sen. He improvised by giving Chatterjee a free hand to perform. The result Chatterjee eclipsed all other adult actors in Kharij which won a special Jury award at the Cannes Film Festival.
Improvisation was Sen’s style of working. Doing this he never compromised with his scripts. Sen improvised with Kali Banerjee in Neel Akasher Niche, Utpal Dutt in Bhuvan Some and of course Naseeruddin Shah in Khandahar. Dipankar Dey was so well modulated by the filmmaker in Akaler Sandhane that the actor could not believe himself he performed so subtly.
Sen understood his limitations in comparison to his more illustrious contemporaries, Satyajit Ray and Ritwik Ghatak. He intelligently concentrated on a leftist-oriented political cinema which made him internationally famous. Visual plays with montages
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Pandaemonium
The latest (somewhat random) collection of essays and stories from around the web that have caught my eye and are worth plucking out to be re-read.
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We’re banning facial recognition.
We’re missing the point.
Bruce Schneier, New York Times, 20 January 2020
Facial recognition is a technology that can be used to identify people without their knowledge or consent. It relies on the prevalence of cameras, which are becoming both more powerful and smaller, and machine learning technologies that can match the output of these cameras with images from a database of existing photos.
But that’s just one identification technology among many. People can be identified at a distance by their heart beat or by their gait, using a laser-based system. Cameras are so good that they can read fingerprints and iris patterns from meters away. And even without any of these technologies, we can always be identified because our smartphones broadcast unique numbers called MAC addresses. Other things identify us as well: our phone numbers, our credit card numbers, the license plates on our cars. China, for example, uses multiple identification technologies to support its surveillance state.
Once we are identified, the data about who we are and what we
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