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Exhibition History

1974The Making of a Museum May 20, 1974 - October 31, 1974   Ida Fischer Watercolors, Oils, Drawings October 1, 1974 - December 1, 1974   Preparation Studies by Cleve Grey for Threnody October 7, 1974 - March 14, 1975   Isac Friedlander: Etchings and Woodcuts December 15, 1974 - February 15, 1975 1975Theatrical Drawings and Watercolors of George Grosz January 21, 1975 - February 10, 1975   Ancient, Primitive and Modern Sculpture from the Roy R. Neuberger Collection February 4, 1975 - March 4, 1975   A Selection of European Paintings, 17th through 20th Centuries March 1, 1975 - May 4, 1975   Images of Power, Sources of Energy March 18, 1975 - May 4, 1975   Sonia Delaunay Retrospective April 2, 1975 - May 14, 1975   Village Gods of South India Photographs by Harry Holtzman April 23, 1975 - June 30, 1975   Works by the Faculty of the Division of Visual Arts May 13, 1975 - August 31, 1975   Anniversary Exhibition: A Year of Gifts and Purchases- Painting, Sculpture and Works on Paper May 18, 1975 - August 31, 1975   Invitational Show for High School Art Students of West

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By Petra Vlad

The new permanent exhibition which opened at the Pompidou Center in Paris in July 2014, called A history. Art, Architecture and Design from the 1980s to present day is a way of revisiting all of the museum’s recent collections and, at the same time, an attempt to digest the last 30 years of contemporary art. By selecting the artworks and the texts in the catalogue, Christine Macel takes on the subjectivity that comes with the role of the curator, placing herself in the continuity of a museum tradition that began in the late 70s. Looking at the works and the selected artists, it is clear that Christine Macel’s proposal is a lucid reading into the deadlock of art practice and art theory from the last 30 years, a view from the modest standing point of contemporary art. This period is known for the displacement of concepts and spectacular role reversals. We can even talk about a displacement of the notion of “art work” and “art practice” from a semantic point of view.

A history…, among the many possible histories of contemporary art, is a sketch of the landscape of international contemporary art that was built by the Center Pompidou’s collections. The singular will that gave birth to this exhibition is the wish to maintain the museum alive with a periodic rev